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Foto Frenzy: Halloween 4: The Return of Michael Myers!

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I was very excited to see this movie when it came out in the fall of 1988. I was
in Florida during that amazing time when I watched 125 movies in 60 days.
This was one of them - viewed at a theater in Winter Haven, Florida the day
it premiered. To be honest - it was underwhelming for me. I added the movie
to the video vault on Blu-Ray a while back and launched Crazy Movie Weekend:
Halloween Horrorfest III with it this past October. I know some people love it -
but it's still underwhelming to me. The positives are Donald Pleasance, Danielle
Harris, and a good October feel. But the movie is not scary, I hate Michael's mask,
and the creative kills get a bit silly. Still, it's a visit to Haddonfield, so that counts
for something.













Dr. Sam Loomis - back on the hunt with new facial scarring from the fiery end of Halloween II.














Laurie Strode's daughter Jamie (guess who she's named for? Wink, wink!)

















Michael does indeed return, but he brings along a fairly crappy mask.















At least Kathleen Kinmont shows up in her underwear...

















A beefed up kill in a reshoot courtesy makeup guru John Carl Buechler. Thumbs up for this one!















Michael hates his female relatives, no matter how adorable they are.
















Come on Dr. Loomis! Stop him!












Until next post - tomorrow! - you Can Poke Me With A Fork, Cause I Am Outta Here!


Nice doggy...CHOMP!

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Rottweiler  (aka Dogs of Hell)  (EO Corporation, 1982)



The poster LIES. It's 10 dogs loose - not 12. Nice inaccurate hyperbole, poster dudes.







Before the Camera:


Earl Owensby  (Buckstone County Prison)
Bill Gribble  (Cannibal Apocalypse)
Robert Bloodworth  (Brainstorm)
Ed Lillard  (The Hudsucker Proxy)
Regan Forman  (TV's American Gothic)
Kathy Hasty  (only film!)
and
Jerry Rushing  (The Georgia Peaches)
as
Carl




Behind the Camera:


Directed by Worth Keeter

Produced by Earl Owensby

Written by Thom McIntyre



    By 1982 North Carolina entrepeneur Earl Owensby had been in the movie business for eight years. He'd produced nine movies that were mostly shown at drive-ins in the Southeast, though a couple of his movies did get some play north of the Mason/Dixon Line. He decided to branch out in his filmmaking that year and got ahold of a 3-D camera system. His first offering with the third dimension attached - directed by Worth Keeter - was this thriller.
     The military, in its infinite wisdom in movies like this, develops a new super soldier for the ongoing war effort against the world's villains: genetically enhanced Rottweiler dogs - bred to be smarter, stronger, faster, and meaner than the average dog - or the average soldier. Ten dogs have been modified, and they are ready to be moved to a new training area. Their transport is a tractor trailer, and their route takes them through scenic North Carolina - and the fictional resort are of Lake Lure.


Crappy cellphone pic of producer/star Earl Owensby.

    I probably will not surprise you when I tell you the truck crashes - and all ten dogs survive and are released into the surrounding countryside. Lake Lure Sheriff Hank Willis (Owensby - always producer Owensby's favorite leading man) investigates the crash - but the military hides what escaped the truck in the hopes of recovering the canine corps on their own.
    Epic fail! The dogs promptly make their way to a late night fashion photo shoot out in the woods and eat one of the models. While Sheriff Hank and his pals try to figure out who or what killed the girl, the dogs waste no time splitting up and attacking anyone they see. Shady military scientist Adam Fletcher (Gribble) hangs around town trying to get a line on his precious pooches, but even he can't stop the critters for long. The Dogs of Hell have come to Lake Lure. Who will survive and what will be left of them?



ROTTWEILER!!!



By this time in his production career - nearly ten years in - the films coming out of EO Studios in Shelby, NC were competent low budget flicks. The early movies are much rougher - ragged around the edges and reflecting people learning how to do the job while on the job. That may be part of the reason why the EO movies of the 80's were easier to find on VHS up north - they were simply better made movies. I think Rottweiler was the first of these better made movies (at least of the ones I've seen.)

Mauled...by a ROTTWEILER!!!


Starting off - it's always awesome to watch an 80's 3-D movie - even in 2-D. Sure enough, there are lots of long props stuck into the camera in the first hour or so. The last forty minutes or so use this feature much less, but it's cool while it's happening. The movie is an hour and forty minutes - at least in the widescreen VHS (!) version we watched - and that might normally be a bit long - these movies usually work best in the 80-90 minute range - but it worked out well in the group viewing we had. During the talkier scenes that pad the movie a bit - the group had some great talkbacks to the movie - then everyone was pretty quiet during the dog attack and suspenseful scenes.

Awww....ROTTWEILER?


Director Keeter keeps the action moving pretty well - and while as usual for EO movies there is no nudity or rating affecting profanity - there are some bloody and gory aftermath death scenes. (This blog's buddy - makeup artist Jeff Goodwin - worked on those scenes - some of his very first film work.) There are also some great prosthetic dog heads for the scenes where the humans score against the critters - though Jeff G did not work on those. The acting is usual - some of the actors are a little more polished than others - with lead actor Owensby sticking to his strengths as the laconic sheriff. It's always nice to see Jerry Rushing  - the inspiration for The Dukes of Hazzard TV show - in one of his patented "good ol' boy" performances. It's also funny to see Regan Forman - who later worked on and acted in the TV series American Gothic with me - showing up here briefly at about the age of 9 as Sheriff Willis's smartass daughter.

It's a solid "Nature Runs Amok" flick - or as I like to call them - a solid "Chew 'Em Up and Spit 'Em Out" movie - for those so inclined.



Let's Get Out of Here ?

At roughly 53:50 one of the campers realizes genetically enhanced rottweilers are loose in the camp.





Eye Candy ?


Regan Forman grew up to be a beautiful woman, and would qualify today - but she was only 9 here. Some of the other ladies are cute, but they're not showcased well enough to make the list. Sorry ladies.






Buddha Man Sez:

"Rottweiler is pretty good - definitely not a dog of a movie!"





Thanks Mr. Man! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Random Stew 10/3/14!

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Let's have a little Vincent Price in this Blog Horrorfest!







Look at this - time with one of the greatest actors of all time - and a tasty recipe too!












These ads were in nearly every comic book I read back in the day. I never had or knew anybody who had the product though. I wonder if the apple heads eventually started to stink or rotted into something awful?









I vaguely remember a TV commercial for this game with the Man starring...never owned this game. Neither did any of my friends. Would love to find one in decent shape at a flea market or yard sale...











Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 10/4/14!

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Who cares what picture we see?



Dick Warlock would - because that's the kind of guy he is. So let's make our first All-Horror Month choice this one...







After the second Halloween movie made money - producers John Carpenter and Debra Hill were approached to create a third entry in the series. Neither felt there was any more story to tell about Michael Myers - so they came back with a counter offer - how about turning the franchise into an anthology?


Each year they would produce a new horror movie with different writers and directors that had no connection to any other movie in the series. Everyone agreed this seemed like a workable idea - so they came up with a wild story - a demented mask maker puts a diabolical plan in motion - a store owner discovers his plan and is injured - then murdered in the hospital. The doctor at the hospital teams up with the store owner's daughter to investigate...


However, with no internet to get people prepared for a Michael Myers-less Halloween movie - people were not prepared for a Michael Myers-less Halloween movie.


Halloween III tanked.



It also sent the franchise into a coma for six long years - until they gave in and brought Michael Myers back - five more times!


I liked Halloween III from the first time I saw it in theaters - and really liking only one of those five subsequent sequels - I really wouldn't have minded if Carpenter and Hill's anthology idea had been successful.


Halloween III is in the video vault in a spiffy Blu-Ray edition that can be in the player in moments - if you felt like venturing out in the dark to come watch it with me, that is...








Until next post - you Can Poke Me With A Fork, Cause I Am Outta Here!

The Video Vault of Mora Tau 10/5/14!

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I really love digging up old horror movie promos - let's see if I can find some good ones...oh yeah, how about one from each of the major TV networks from my childhood?





 


The American Broadcasting System brings us the premiere of a horror flick from a few years previously...









The Columbia Broadcasting System gives us a late night flick from just a couple of years before...


 
 









And the National Broadcasting Company brings the premiere of one of my favorite horror movies of all time - yes, this one has been featured here before - but it's really cool - and I was right there glued to the screen watching this that night...















Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #184!

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Night Monster  (Universal Studios, 1942)

In addition to the monster rally movies they were releasing in the 1940's - Universal also turned out some other B movie horror programmers. This is definitely worth a watch, especially with those two stars - though Lugosi is again wasted as the butler.















Autopsy  (After Dark Films, 2009)


That's a good poster - I haven't seen the movie. It has Robert Patrick in it - so I might check it out. If you've seen it - would it rate a recommendation for this year's Crazy Movie Weekend: Halloween Horrorfest 4?

















Voodoo Woman  (American International Pictures, 1957)


I saw this one way back in the day - I think it was on a local channel in Northern Indiana when I lived there 1990-1991. However, I remember almost nothing about it - so I wouldn't mind seeing it again one of these days.











Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Buddha Man's Tricks and Treats!

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Good stuff!





Horror of Dracula (Hammer Studios, 1958) Hammer Studios had been making various potboilers and British film noir crime flicks for several years when they decided to do a new version of Bram Stoker's oft-filmed epistolary concoction and struck filmic gold. The script (by Jimmy Sangster) makes some large, but fairly comfortable changes to Stoker's story in the interests of compression and budget. We start off as usual with ol' Jonathan Harker travelling to Dracula's castle, but it seems a bit closer to Germany than Transylvania if you go by the local villagers. Dracula is very tall and not very Romanian, as he's played by Christopher Lee here; but all is forgiven because he's played by Christopher Lee here. And this time, Harker turns out not to be the Count's real estate agent and pawn, but a vampire hunter (!) employed by Van Helsing and well aware just where he's temporarily hanging his hat. He's all ready to lay down some serious stakage, however, he's no match for the Big D, and soon the Big Fanghuna has settled in near Jonathan's hometown in England, the better to put the bite on his fiance. Van Helsing (Peter Cushing) shows up searching for Harker, hangs out a bit with Harker's pal Arthur (Michael Gough), and soon is in for the fight of his life with the Grand Poohbah of Vampires.

While Dracula avoids working on his tan, Van Helsing suggests some
decorating touches that are not well received.


This is a tasty little horror treat, done to a turn by the fine folks at Hammer. The cast is impeccable, the direction tight, the production atmospheric and there are some solid scares to be had. Both Cushing and Lee play their parts very well, and this was the first time of several for each (though they each took at least one picture off featuring the other before coming back together for the last couple 15 years later). Titled simply Dracula in its native land before coming here to have Horror of added to avoid the ire of Universal Studios, this had some scandalous onscreen blood and bosomy cleavage (though no nudity) for the 1950's, but obviously those aspects come off a little more tame more than 50 years later. If you have ever or have never enjoyed any of the various Dracula movies, you should really check this one out, you'll be glad you did!










Horror of Party Beach (Iselin-Tenney Productions, 1964) Okay, thanks to those idiotic Medved bothers (no, I didn't forget the R) and whichever of their "books" it was featured in, this movie is ranked down near the bottom of the barrel. But looking at it again recently, it's actually a tongue-in-cheek romp that throws in several disparate elements to see what might stick on the entertainment wall. It ends up being a mix of a beach movie, a musical, an enviromental treehugger flick, and a monster movie - who exactly thought this was meant to be taken seriously? Probably the biggest misstep was the attempts at gore in the monster attack scenes, but they're not much either, mostly stage blood smeared on the victim. You know, the silly jokes, cornball slapstick, and goofy appearance of the monsters (with their oft-mentioned "mouthful of sausages") might have been a tip off. But noooo.

Getcha dogs heah!
Everyone acts like the filmmakers were trying for Gone with the Wind II: Prissy's Revenge and failing. I personally think they succeeded admirably in making pretty much a one of a kind movie. The music is catchy, the acting is mostly non-existent, the monster suits are elaborate even if they are giggle inducing and if you're like me and enjoy your movies a little out there, by all means check this one out!







Thank you Buddha Man! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Lobby Cards a Go Go!

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Let's get some Classic Horror into this Halloween Blogfest with the Universal Studios Monsters!






As a kid I was always happy to see any of the Universal Monster movies - but
now that I'm older - this is a pretty weak entry. I'm glad the monsters got to meet
Abbott and Costello three years later - as that hilarious classic is a better series
send off than this one. Still, a weak monster movie is better than no monster
movie at all, right?














Glenn Strange is back as the Frankenstein Monster - his second appearance of three.











 
Lon Chaney Jr. reprises "his baby" - as Lawrence Talbot and the full moon add up
to something hairy and scary.











Jane Adams - included as a monster on the top picture in this post due to some spinal
issues - way to be sensitive Universal - with Chaney, Onslow Stevens, and Strange.











Chaney's upper lip stays hairy in this one - here he schmoozes romantically
with Martha O'Driscoll.











Stevens tells Adams she's not a monster, no matter what Universal Studios says,











Finally! John Carradine as Dracula with Stevens and O'Driscoll.












Lionel Atwill in his neverending stint in that police uniform gives Skelton Knaggs
and his partner in crime the hairiest of eyeballs. 











Until next post - tomorrow, if you can believe it - you Can Poke Me With A Fork, Cause I Am Outta Here!

To Sleep...Perchance to Die!

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Never Sleep Again: The Elm Street Legacy (1428 Films, 2010)










Before the Camera:

More than 100 cast and crew members from A Nightmare on Elm Street (1984) through Freddy vs Jason (2003)


Behind the Camera:

Directed by Daniel Farrands and Andrew Kasch

Produced by Robert P. Atwell, Steven Barton, Daniel Farrands, Thommy Hutson, Heather Langenkamp, Bill Philputt, Annette Ashlie Slomka, Jamie R. Thompson, and Lito Velasco


Written by Thommy Hutson


This documentary ode to one of the biggest horror movie series of the 1980's does everything exactly right. It starts out with the first movie going into production in 1984, and works its way chronologically through each and every film in the series (stopping with little to no mention of this year's reboot). And this isn't a case of brief sound bites from six or seven people either. The main feature runs 4 hours (!) and everyone gets to have a good long say (broken up through editing into smaller pieces relevant to each film or topic, but you get the idea). Documentaries are a different animal to review, so here's my breakdown on each section of this movie with some info on my personal experiences seeing each film back in the day. After all, it is my blog...




A Nightmare on Elm Street (1984) This section runs the longest at about 45 minutes. All of the main cast is present except for Johnny Depp and Ronee Blakely (who isn't mentioned as missing in any of the reviews of this thing I've read while Depp is always singled out). You also get lots of Wes Craven, Robert Shaye, and other New Line execs. Some excellent stories, and they set the tone for the whole doc by being warts and all.



I was supposed to see this movie in Harrisburg Illinois (south of my town McLeansboro) with some friends soon after it opened, but the evening started at Pizza Hut, and ended in the emergency room when a friend visiting from Oregon stepped off the curb at the restaurant wrong and twisted her ankle badly. She tried to press on and we actually paid and went in the theater, but she was in agony, so we left (I don't remember if we got refunds, but I'm thinking no) and took her to the hospital. She'd cracked a bone and was off her feet for the rest of her trip. After she got on the plane to go home, we went to see the movie finally over in Harrisburg. We were all wowed by it but I'm kind of glad she didn't see it with us - she was a very 'interesting' young lady who had a lot of belief in dreams and the spirit world - she believed she was the sister of then-recently deceased guitarist Randy Rhoads, and that his ghost was with her all the time, even taking over her body at times to write letters and such - so I'm not sure what kind of an effect this movie would have had on her. I'm sure she saw it later, but we lost touch not long after that, so I don't know how it ended up affecting her. I liked the movie though, a lot.




A Nightmare on Elm Street 2: Freddy's Revenge (1985) This is an interesting part of the show; the movie is not remembered as a high point in the series, and everyone discussing it here eventually admits that, which is refreshing. It also gets examined for the incredible amount of gay subtext (and not so subtext) it contains. Some people still deny any belief that it has a gay theme running through it, but writer David Chaskin admits he was putting it into the script, the lead actor is openly gay, and the gay production designer stuck in a lot of stuff like a poster on the character's door that originally read No out of town Checks but has been altered to read No blahblahblah Chicks. Hmmmmb. Everyone you'd expect turns up here with no major no-shows.



I went to see this sequel with my usual movie pals in Mt. Vernon Illinois (northwest of McLeansboro) on opening night. I didn't care for it from early on in the picture through the ending. It just didn't have the mood of dread of the first movie, and scenes like a parakeet exploding in flames followed by the line "Parakeets just don't explode!" didn't help matters. Knowing now what I do about the movie, it's entirely possible my chock-full-o-teen-homophobia self was having a subconscious reaction. I dunno. Nobody much liked it in the group of people who went with me to see it either.






A Nightmare on Elm Street 3: Dream Warriors (1987) Everyone onscreen agrees (as I do) that Part 3 rocks, and it's really great to see all of the Dream Warriors here in the documentary again, except for Patricia Arquette, who apparently didn't have the greatest time on the picture, and started not participating by not coming back for Part 4 and finishing by being a no-show here, too. Then again, maybe she was afraid to come back, since nearly every male interviewed admits to a longing crush on the young actress at the time. (Stalker anyone?) Also missing from the interviews are Craig Wasson and Laurence Fishburne. (Once again, I'm the only one who seems to have noticed that Wasson "Wasson" here).


I saw Dream Warriors in a PACKED theater in my college town, Carbondale Illinois, in early 1987. I went by myself and was late, coming in a couple of minutes after the picture had started and finding a seat closer than I would have liked and off to the right side as Kristen's nightmare really gets going. I thought this was a fantastic sequel, with lots of imaginative dream imagery and Freddy really scary for what turned out to be the last time that decade.






A Nightmare on Elm Street 4: The Dream Master (1988) The best stories about this entry are how director Renny Harlin got the job. All of the major players show up for this segment, and everyone agrees this one was rushed a bit as well. But it didn't hurt the box office as this became a HUGE hit for New Line Cinema.



I was in Winter Haven, Florida when I went by myself to see Part 4, and it was watchable, but the nightmare/death scenes were not being played as spooky, just weird, and Freddy was onscreen and brightly lit a lot, so it didn't work as well for me. And like the actors who played them, I wasn't fond of the original Dream Warriors meeting their ends so quickly in this film.




Freddy's Nightmares: A Nightmare on Elm Street - The Series Premiering in October 1988, this anthology show about the terrors lurking in Springwood was hosted by Freddy, and he also appeared in several segments as well. I was amazed at how much gore they got away with when I watched this. I saw several episodes, but did not see them all across two seasons, as this was really starting to be Freddy overkill in my book.



 Everyone interviewed from the series agree that they had a lot of freedom to do what they wished because New Line viewed it only as a new udder on the Freddy cash cow and had no interest in it otherwise. This made the show fun for the filmmakers to work on, but the tight budgets and lack of quality control ultimately didn't make the series as much fun to watch. Still, they got two seasons out of it, and I'd enjoy sitting down with a complete series DVD set now.






A Nightmare on Elm Street 5: The Dream Child (1989) Released less than a year after Part 4, and right in the midst of the Freddy glut from the TV series, this series entry is considered by all to be one too many trips to the well. But it's still a good segment of the documentary, and all the main faces appear.




Because I'd reached my saturation point with Freddy, I actually skipped this in theaters. I finally caught up with it on video sometime in 1990 or 1991. I liked it about as much as I liked Part 4, which was to say, not a whole lot.






Freddy's Dead: The Final Nightmare (1991) The main point of this piece of the documentary is to praise Rachel Talalay, who'd been a production manager on the previous films as she took over the director's chair for what was to be the last Elm Street movie, touted even in the title. They truly believed this would be the last one, and did it up big, both on camera and off. A lot of the usual suspects are here, but it turns out several people who might have had something to say about this picture are missing from the doc: Breckin Meyer, Yaphet Kotto, Elinor Donahue, and celebrity cameo artistes Tom Arnold, Roseanne Barr, and that double no-show Johnny Depp again! And once again, it's cool to hear the people involved admit this didn't turn out as they had hoped.




I was lured back to see this one because I'd been there at the beginning, I wanted to see what I also believed would be the end. And it didn't hurt that the final 10 minutes were in 3-D! So I trekked to the theater in Gary Indiana (!) (it was nearest my home in Crown Point, Indiana at that time) I plunked my money down again, but as it turned out, I found this one wanting as well, and now call it Freddy's Dead for Now: The Final Misfire. I reviewed this one for the late lamented M5 newsletter, though





Wes Craven's New Nightmare (1994) After a few years off, Robert Shaye lured Wes Craven back with the promise of picking up the franchise and taking it anywhere he wanted. He agreed, and they were off and running. This segment has no major no-shows, and is equally as entertaining to watch as the previous pieces.


I saw the New Nightmare in Wilmington NC by myself as a part of my then job of reviewing movies for a local entertainment guide, Encore Magazine. I gave it a negative review, because although I appreciated what Craven was trying to do, I didn't think it worked all that well. However, of all the Elm Street movies, this is the one I most wanted to revisit. I did during the Crazy Movie Weekend: Friday/Freddy-30 Years of Dead Teens - and I quite like it now - it's the third best movie in the series.




Freddy vs Jason (2003) I think this one wins for most missing talking heads, as only a couple of on camera types show up to chat about the Horror Brawl for it All, though the behind the camera contingent is well represented, especially the writing staff, since this gestated for about ten years before rolling film and had a couple of dozen script drafts written. The biggest missing presence is this film's Jason, Ken Kirzinger. Weirdly, the man he replaced, four-time Jason Kane Hodder, did show up to talk about not getting the part. Maybe Ken was avoiding this turning into a "he said, he said." Dunno. Good stories about some of the other potential storylines make this piece, although I really wish someone would have spoken David Schow's name so I'd know how it is pronounced. But, (and surprisingly it took me this long!) I digress.





I love crossover movies and books and comics, so I was there on opening day for this one in High Point, NC. Although I found the script plot heavy in tying the two terror titans into the same story, and needlessly explanatory, having the characters rehash that complicated plot verbally a few too many times across the running time, I still thoroughly enjoyed this flick, which had the gore of the Ft13 films mixed with some good nightmare imagery direct from Elm Street and now enhanced by some solid CGI. Both Mr. Krueger and Mr. Voorhees get some prime moments, with Englund still terrific under the all that latex and Kirzinger fitting right in as possibly the largest Jason ever. It's a battle royale, letting each monster have a round on his home court so each gets to use his strengths while the other is at a disadvantage. Great fun all around. Interesting to me too, that the seven movies (of eight) that I saw theatrically were each in a different city across four states...I guess I've gotten around a bit...


There is a wrapup after FvJ is put to bed, with a very funny segment over the credits of each actor saying one of their signature lines. All in all, a must see for fans of the series, and probably a good choice for anyone who likes horror films or how they are made.

After the four hour main documentary there's a whole second disc in the special edition, with extended interviews (including apparently at least one cast member from one of the sequels who didn't make it into the regular movie for some reason) and several other small pieces about the series, from the knife glove, to superfans, from the musical highlights of composer Charles Bernstein (the Nightmare theme is one of the best of all time! And Bernstein even wrote a new score for this project!) to the great poster artwork (by the same man for the first five movies. And he too provided the documentarians with brand-new poster art - seen at the top of this post!) I haven't even dug into the second disc yet, but I've heard there's at least another couple hours of worthy material here. So in the end this fan made documentary gets my highest recommendation for those so inclined.




Let's Get Out of Here ?

It's a documentary - the guests are invited, they want to be here. So Never Sleep Again gets a pass.




Eye Candy ?

There are several attractive ladies involved in the Elm Street movies, so I'll call this one a Whitman Sampler.







Buddha Man Sez:
"Never Sleep Again is well worth missing a few winks to watch."









Thanks as always, BM! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

The Video Vault of Mora Tau 10/10/14!

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It's my favorite season of the year....




























Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 10/11/14!

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Who cares what picture we see?


Tony Todd will, if you say his name three times into a mirror. While you're doing that - let's pick this one:







I only caught up to this one on home video - but I liked it quite a bit. An old fashioned chop-'em-up slasher flick with practical makeup effects? You can sign me up every day and twice on Sunday! Having a killer played by Kane Hodder and makeup effects provided by John Buechler? Even better - because here's a movie that tells the MPAA to suck it after they decreed the gore be excised from Friday the 13th Part 7: The New Blood.





And since the success of Hatchet led to sequels - let's just go on and make tonight a...


Saturday Night at the Movies Triple Feature!











I have some issues with the second movie - after a fast opening with a pile of kills, the mayhem takes a backseat for a long while - though you do have the compensation of some cool horror folks (Tom Holland, RA Mihailoff) joining Danielle Harris taking over the Final Girl role. Finally they do get back out to the swamp and the practical gore effects start splashing about - leaving this a solid entry in the franchise.




Let's take a break with a little intermission...







Now back to the movies!











Adam Green handed off the directorial reins - never something I'm very happy with - but another fine cast - including a repeating Harris and Hodder - joined by Caroline Williams, Zach Galligan, and a fun cameo from Sid Haig - bring the series to its current end - and it's watchable - if another step down the quality ladder. Faint praise? Perhaps - but this series's worst entry is better than some franchises's best.



All three movies are in the video vault on Blu-Ray - so we could be sitting down to this triple threat series in seconds - if you feel you can make it through the swamps to my place tonight...








Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Spotlight on Freddie Francis!

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Born in London - Freddie Francis was originally working towards a a career in engineering. At school, a film essay won him a scholarship to the North West London Polytechnic in Kentish Town. He left school at age 16, which eventually led to him successively becoming a clapper boy, camera loader and focus puller for several British production companies.



In 1939, Francis joined the Army assigned as a cameraman and director to the Army Kinematograph Unit at Wembley, where he worked on Army training films through the end of World War II and into 1946.



After leaving the army, Francis spent the next ten years working as a camera operator on films such as Beat the Devil (1953), and Moby Dick (1956).




Learning the art of cinematography in that decade, he then became a top rated director of photography, with movies like Room at the Top (1959), Saturday Night and Sunday Morning (1960), Sons and Lovers (1960), and The Innocents (1961) - which he regarded as one of the best films he shot - on his resume.



Following an Academy Award win for Sons and Lovers, Francis began a new career - feature film director. In 1963 he directed Paranoiac for Hammer Studios, which is part of the reason he scores a place in this Halloween Blogfest -  because for the next twenty of so years, Francis continued to direct films for Hammer. He directed their suspense films like Nightmare (1964) and Hysteria (1965), as well as monster movies such as The Evil of Frankenstein (1964) and Dracula Has Risen from the Grave (1968).


Directing Peter Cushing in The Creeping Flesh (1973).




At the same time he was directing for Hammer, Francis also began an association with Amicus Productions, another studio which geared most of its output to horror movies. Interestingly, Amicus specialized in the anthology film - movies made up of four or five shorter stories with a wraparound framing story - and most of the films Francis made for Amicus were anthologies like Dr. Terror's House of Horrors (1965), Torture Garden (1968) and Tales from the Crypt (1972). As a director, Francis brought the cinematographer's eye to the table, and as would be expected - most all of his horror movies have great visual style.






Christopher Lee towers over Freddie Francis and Milton Subotsky on the set of Dr. Terror's House of Horrors (1965).


Despite this, Freddie Francis was frustrated that the horror genre was looked on as lowbrow, but he was "typecast" and was not offered movies in other genres to direct. Consequently he made a somewhat surprising move back into cinematography - taking jobs as director of photography again, and finding work on major motion pictures outside the horror genre - movies like The Elephant Man (1980), Dune (1984), and Glory (1989), the latter of which also earned him his second Academy Award.



Discussion with Maurice Denham on the set of Paranoiac (1963) as Oliver Reed looks on.


He did continue to direct - notably The Doctor and the Devils (1985) and Francis's last film as director - Dark Tower (1987) - not an adaptation of the Stephen King novel.



In the 1990's, even as he moved into his mid 70's, Francis continued working, still shooting films like The Man in the Moon as well as Martin Scorsese's Cape Fear remake. His final film as cinematographer was David Lynch's The Straight Story.


Two titans in the art of cinematography - Freddie Francis chats with Jack Cardiff.



I definitely recommend checking out some Freddie Francis movies - ones he shot, and ones he directed - a terribly talented man, and worthy of some LGOOH love.







Until next post, you Can Poke Me With A Viewfinder, Cause I Am Outta Here!

Maniacal Movie Poster Monday #185!

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Theme Week!
 
 
One movie! Two titles! Three posters!





Curse of the Demon  (aka Night of the Demon)  (Columbia Pictures Corporation, 1957)































Called Night of the Demon in its native England, it was jazzed up to Curse of the Demon here in the United States. Therefore these three posters are all from the stateside release.


This is the famous movie where director Jacques Tourneur didn't want to show the demon - as he was always a proponent of the viewer's imagination supplying scarier stuff to the viewer than anything he could show. However, the producers wanted an onscreen demon - and they added it - as can be seen on the posters.


Normally I'm with Tourneur - less is more - and had the creature turned out to be a shoddy effect like The Giant Claw - he would obviously be right. But this thing looks really good - considering the time. I'm glad you get to see the demon.











Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Halloween Horror Hotties 2014!

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It's one of my favorite annual posts!






Heather Dorff   (Truth or Dare)




 
 














































Valerie Leon   (Blood from the Mummy's Tomb)





































Mie Hama   (King Kong vs Godzilla)










































Jessica Cameron  (Camel Spiders)





























Leyla Milani  (El Mascarado Massacre)























Shanna Forrestall   (John Schneider's Smothered)




























































Pam Grier   (Scream Blacula Scream)
































Christina Applegate   (Jaws of Satan)
































Karen Black  (Trilogy of Terror)



























Sheri Moon Zombie  (House of 1000 Corpses)




















































They make my eyes very happy even as the movies they're in make my eyes so scared...






Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!


Buddha Man's Screaming Witchcraft!

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Scream (Calendar International Pictures, 1981) Fifteen years before Wes Craven and Kevin Williamson's first collaboration glommed onto this title, there was another horror movie yelling for your attention. But just as the 1996 movie came to Scream as a second title - changing from Scary Movie - so did this earlier slasher flick - starting out as The Outing - but seeing release with the more vocal appellation.
I know, right? And you're in this movie!

The story here gives us a group of people taking a white water rafting tour. However, despite a rather lengthy opening sequence, the filmmakers squander every opportunity to actually introduce these people or their relationships to each other. They are just some folks we're forced to assume were randomly thrown together on this tour. Then they reach their destination, which turns out to be a deserted ghost town - I hope this was the economy tour, considering -and they make plans to stay the night. Then, waaaaay into the running time, one of the rafting enthusiasts wanders off by himself and is brutally murdered, only without the common decency to do it onscreen. Then our Nondescript Rafting Club find out that their rafts are damaged or gone and what with being out in BFE, they are now stuck. Eventually a couple of rather mysterious motorcyclists appear and agree to take one of the men to get help. But are they on the up and up? And finally, an old sailor (Woody Strode - The Professionals), appears from nowhere with a black dog and black horse, and gets all Crazy Ralph on the survivors, warning them that they are doomed. Who will survive and what will be left of them?

Woody Strode in and gave out with what might be termed a
Scream-of-consciousness monologue. Then he was gone, and
the movie resumed tanking.

This is another one of those rare movies from back in the day that I never got to see. Finally, decades later, it showed up on disc from Netflix in a newly restored special edition DVD. Having seen it - what was all the fuss? The movie starts off fairly well, with the credits running over some weird doll-like figures in a room filled with weird headless bric-a-brac. Then the plot begins and the movie starts a slow but steady decline. The characters appear on screen - I word it that way to again point out they were in no way "introduced," a common and even dare I say expected occurrence in most movies. Here we just start watching them, and it is quickly obvious that none are particularly likable, smart, or easily identified with, which starts the viewer off at arm's length and then keeps them there. The arrival at the ghost town is okay; seems like it will be a creepy place later; movie is still tolerable at this point. The first murder is fine - a little suspense, fairly spooky. Then, the rest of the group find the body of the victim, who'd made the mistake of wandering off on his own. There is much panicked discussion, but not much is done. Night falls. And what happens? Another character develops a mighty thirst that demands to be slaked, even if the beer cooler is in one of the other light challenged buildings. The guy sneaks over on his own to get his brew - and SPOILER ALERT - he is promptly knocked off. Well, the first guy was unlucky, the second guy was stupid. Okay, it's a little iffy, but I can buy that. Then the movie does the exact same thing not once but twice more! This makes every person onscreen look stupid at best.
Weird bric-a-brac. There, between
this and Woody Strode, you've seen
the best this movie has to offer.
The last of these embarrassing moments gets even bigger in its WTF-ness - somebody wakes up and finds they are completely alone - no one else is in any of the sleeping bags scattered around the dark communal sleeping area. It's actually an eerie scene and would have served as a clever dream sequence, but no! After several minutes of watching this poor sap wandering around the town alone suddenly everyone else comes walking in together from out of the darkness, completely blase and matter of fact despite the fact they left this poor guy sleeping alone in a town where four people have already been hacked to death within seconds of finding themselves sans companions! Was the entire group trying to get this guy killed? At this point the script's stupidity caused the whole movie to hit bottom for me, but I went on and rode it out to the end. Here's what I gained from my stick-to-it-iveness: I got to see the great Woody Strode show up for a useless cameo that achieved nothing except allowing the filmmakers to use his name on the poster; and I got to see the ending, which comes off as smug despite the few answers to the many questions in the minds of the viewers being inadequate at best and nonsensical at worst. I was then left with a much bigger question in my mind - are there truly so many fans of this half-assed movie that it deserves to be resurrected on DVD? I bet you know my answer...














Witchcraft (20th Century Fox, 1964) This is a pretty good little scareflick from Great Britain which gave Lon Chaney Jr. his last quality horror hurrah before he slid into the junk that marred the end of his career.
Lon Chaney Jr. moments before Warren Zevon
saw him walking with the Queen...




Lon plays Morgan Whitlock, the elder paterfamilias of a family descended from a witch named Vanessa. When a construction project buys out the land Chaney's family has been buried in for centuries, Lon gets plenty upset and refuses to have the remains moved. The more unscrupulous business partner desecrates the graves, and wouldn't you just know it? A mysterious woman suddenly pops up at the Whitlock house, and shortly after people start dying in bizarre accidents.

No, she's not Barbara Steele, but she does play
her on TV...

This is old school horror, with no gore, but some good chills. Lon is in fine form, though he attempts no British accent and so stands out a bit among the British cast, all of whom are solid if not familiar (the male lead - Jack Hedley - was in For Your Eyes Only 17 years later). Still in all, it's good to see one of the old horror greats in something with some production value, and it's too bad Lon couldn't have gone out on a note like this 9 years later instead of Dracula vs Frankenstein. Check this one out!










Thank you Buddha me lad! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Celebrity Endorsement: Kane Hodder!

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He's been a stuntman and actor for four decades - and he logged another important four in his career - he played Jason Voorhees four times - more than anyone else ever has - and most likely ever will.





He's also very into his job - and he also enjoys a good pop culture blog now and again...










Thanks Mr. Hodder! I'll buy you a Shock Top next time I see you!





Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Grefe Counselor!

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The Jaws of Death (Cannon Film Distributors, 1976)








Before the Camera:

Richard Jaeckel (The Dirty Dozen)
Jennifer Bishop (Horror of the Blood Monsters)
Buffy Dee (Super Fuzz)
John Davis Chandler (Phantasm III: Lord of the Dead)
Ben Kronen (The Wizard of Speed and Time)
Paul Preston (Ordinary People)
Bob Gordon (The Champ'79)
Jerry Albert (Little Laura and Big John)
Richard O'Barry (Hardly Working)
Luke Halpin (TV's Flipper)
Dan Fitzgerald (Police Academy 5: Assignment Miami Beach)
Bob Leslie (Nice Dreams)
Marcia Knight (Darker Than Amber)
Dete Parsons (Flesh Feast)
Dick Sterling (Barracuda)
Mal Jones (The Truman Show)
Jack Nagle (Sting of Death)
Don Sebastian (Super Fuzz)
Courtney Brown (Jaws: The Revenge)
Herb Goldstein (Miami Blues)
Milton 'Butterball' Smith (Stanley)
and
Harold 'Odd Job' Sakata (Goldfinger)
as
Pete



Behind the Camera:


Directed by William Grefe

Produced by Bob Bagley, William Grefe, Paul Joseph, Robert Plumb, and Doro Vlado Hreljanovic (<---wotta br="" moniker="">
Written by Robert W. Morgan, from a story by William Grefe




After the success of Jaws, sharks became big business. Books, TV shows, and movies all started going a little shark crazy. So, legendary Florida filmmaker William Grefe jumped in on the act with The Jaws of Death (aka Mako: The Jaws of Death). Although the title here is certainly meant to evoke fond memories of Spielberg’s classic – once you get past the title you find the movie is not really a Jaws ripoff at all – no community being threatened; no single shark making a local beach his own all you can eat buffet; no mayor crying about the loss of tourism; no hydrophobic authority figure forced to confront his fear to save the day. No, instead, Grefe brings the world a remake of his own 1972 movie Stanley, which was itself a ripoff of the popular rat movie Willard. So you go from Willard– loner boy befriends rats who he uses to kill his enemies; to Stanley– loner guy befriends snakes who he uses to kill his enemies; to this movie – with a loner guy who befriends – yes, you guessed it – sharks. And guess what he uses them for? Richard Jaeckal stars as Sonny, whose love for sharks is displayed in the opening scene, as he and a toothy pal take out a couple of shark hunters – the shark using his teeth; Sonny using a spear gun. ---wotta>


While we digest this, we follow Sonny home – so he can show off his built-over-the-water house with convenient interior trapdoor opening right into the ocean waters where he throws meat leftovers to his toothy friends and chats with them. We then travel around Florida with Sonny in his ramshackle truck so he can introduce us to the supporting cast. There’s the science geek at the local marine institute; he wants to “borrow” one of Sonny’s sharks for “observation” and scares Sonny with warnings that local authorities may institute a bounty on sharks if they aren’t better understood and soon – so Sonny “loans” him a shark. Local business owner Barney (Dee) has a bar where the main attraction is his own wife (Bishop) swimming around in a special tank with a big observation window behind the bar; he also wants to “borrow” a shark from Sonny to put in the tank with the Mrs with a secret clear plastic screen between them so that it appears she is swimming with the shark to his customers. This guy’s more canny, though: he gets Sonny to sign a release allowing him ownership over the shark. While all of this is going on, two thugs – including one time James Bond villain Sakata – are hunting the stuffing out of the local shark population – and they’re doing it as employees of none other than Barney. While Sonny works on getting the bite put on Charlie & Pete, he discovers the marine institute is vivisecting his pal; and Barney has put a radio transmitter in the tank at the bar – sending powerful hypersonic waves into the water to drive his pal into a frenzy but leaving the better half safe behind her screen. Sonny’s psyche can’t handle all this and the guy simply snaps. Now it’s open season on shark hurting humans, and those finding themselves having a Sonny day wish there was a brighter outlook for their future.

Sharks' eye view of Sonny's digs, with Mrs. Barney looking on.

Despite establishing Sonny’s credentials as a screen psycho with this opening scene, director Grefe works overtime trying to make the audience take Sonny to heart as a misunderstood hero. Every other character in the movie – EVERY OTHER CHARACTER – lies, cheats, steals, and gleefully chuckles about it. This scheme to make Sonny our hero doesn’t work, because no matter how nasty every other character is; no matter how slimy and underhanded and double dealing they are – Sonny is killing them dead. He’s a A-1 nutjob. But, the end result of this is, there are really no likable characters in the movie – not even ostensible Final Girl Jenifer Bishop, and that makes the movie a sleazy grindhouse kind of flick. As a result – I like this movie. It reeks with 70’s Florida ambience; Jaeckal is always a positive presence; the other actors are okay, and Harold ‘Odd Job’ Sakata is in it! And he’s credited in the film as Harold ‘Odd Job’ Sakata!


The poster up above and an opening credit both make much of the cast and crew going into the water with real sharks minus cages or other protective technology. Those ‘in the know’ icthyologically speaking indicate that the bulk of the shark action is handled with the use of nurse sharks, which are relatively docile and non threatening creatures. Whether that is true or not – it is still a production value (if a possibly unsafe and insane one) to have so many people hanging out with the critters without any protective gear. Past that – I can’t really say it’s a good movie per se, but if you like your movies kind of low rent and trashy, I can definitely recommend this one – if you can find it – beware the DVD releases – neither apparently are much of a presentation – both appear to be a VHS dub, with the added funk of one less generation of clarity allowing for maximum murk and soft focus. If you can find it though, check it out!



Let's Get Out of Here ?

Somewhere around 32:18, Jenifer Bishop has had a long night.




Eye Candy ?

Well, I think Jenifer Bishop might qualify under the right circumstances - but this movie is not the right circumstances. Sorry, Ms. Bishop.







Buddha Man's Capsule Review

Buddha Man says "The Jaws of Death is okay - but you won't
have to be pried away from your television by the Jaws of Life."







Thank you Mr. B to the M - until next post - you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 10/18/14!

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Who cares what picture we see?



Jackwagon producer David Kappes most certainly would not - and what's he doing acting in this anyway? While I try to figure that out, here's tonight's pick...












I worked on this movie - and was delighted it turned out as good as it did. Based on a Stephen King short story - it did end up about the only adaptation of the author's work that he does not cameo in. (I believe he was on deadline writing The Green Mile serial novel at the time.)



There was a part for him in the movie - but I'll save that story for my behind the scenes post for this flick. Here's a preview of that post - fun times on set with Julie Entwisle (Katherine Blair) and Michael H. Moss (Dwight Renfield).







The movie is on DVD in the video vault - and we could be checking it out any time - even tonight - if you don't mind venturing out after dark...you know...when the vampires are out of their coffins...











Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Sandy Claws!

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Blood Beach  (Compass International Pictures, 1980)













Before the Camera:


David Huffman  (Look What's Happened to Rosemary's Baby)
Marianna Hill (High Plains Drifter)
Burt Young  (Rocky)
Otis Young  (The Last Detail)
Lena Pousette  (Xanadu)
Stefan Gierasch  (High Plains Drifter)
and
John Saxon  (A Nightmare on Elm Street)
as
Captain Pearson







Behind the Camera:


Directed by Jeffrey Bloom

Produced by Sidney Beckerman, Neil Canton, Steven Nalevansky, and Run Run Shaw

Written by Jeffrey Bloom

Story by Jeffrey Bloom and Steven Nalevansky





Southern California, 1982. The beautiful Santa Monica beach. But something has come to the beach. Specifically, it's under the beach. And anyone on the sand above it is in danger. Whatever is under the beach is dragging people down to their deaths. Police officer Harry Caulder (Huffman) lives on the beach - and he's noticed people are missing. None of his fellow officers - Royko (Burt Young) or Piantadosi (Otis Young) - seem all that concerned - and that goes double for Captain Pearson (Saxon). Caulder starts his own investigation - along with his new girlfriend Catherine (Hill) - daughter of the first victim. Their detective work takes them all over the beach, and eventually - even under it. Just when you thought it was safe to go into the water - you can't get there!





It was a weird thing - a horror boom was kicked off by John Carpenter's Halloween in 1978 - although horror is a diehard genre that never completely goes dormant - and the boom continued into the early 80's, dominated by slasher films. By 1980, however, filmmakers were finally getting creature features greenlit - this, The Boogens, The Strangeness. But here's what is strange about this - these films were for some reason much harder to see than ones made the previous two years. So even a dyed-in-the-wool horror fan like me didn't get to see these movies as a kid or teen. I'm finally catching up with them now.



Blood Beach played at my old hangout Toler Cinema back in 1980 - but I didn't get to go see it - and it  is still hard to find - it's not been fully released on DVD - and the VHS was hard to find back in the day. (It is on Amazon Streaming- touted as a "Retro VHS Presentation" meaning a full frame VHS rip - and they were also dubbing that same presentation on DVD-R's - but those are out of print and the used copies go for $100 or more (!)) I finally got a gray market DVD-R - and after more than thirty years finally got to check the movie out.



I don't think I'm going to surprise you when I say - after all that time - it was a letdown. The movie has a fun premise - but it is slowly paced, and the kills are few and far between. Add in only a little gore, and a creature that stays out of sight until the very end of the movie - and even then is not clearly seen - it doesn't add up to much. Huffman and Hill are okay as the leads - but the other character actor cops are kinda phoning it in, so even their scenes don't bring a lot to the movie - though it's always good to see Saxon.



It's also annoying that since the creature "just kind of showed up one day." That's not dialogue quoted from the movie but instead a line used by Roger Corman hosting a showing of Bert I. Gordon's The Spider on AMC Monstervision some years ago. Corman said that is the explanation for all good monsters. It's a funny line - and obviously stuck with me - but in the reality of watching a movie - it's usually better for me to get an explanation for what the thing is and where it came from. But just like The Boogens - another movie I saw decades later with no explanation for the monsters - this movie falls down in that regard as well. Because there is no human agent behind the creature's creation - and the creature isn't in a multiple form or swarm of monsters (allowing one or more to be killed and studied) the script tries to shoehorn in an explantion - the police scientist (Gierasch) is given the job in the form of crazy evolutionary theories about sea creatures adapting to land and learning to move about on - or under - the ground. This is a neat trick considering he's never seen such a creature - but since there are no other explanations possible the way this is structured - you have to accept that this guy is right - which is just kind of silly - especially as he continues to expound on his theory in ever greater detail as the movie goes on.




Because it is a movie made in that golden period of 1977-1981 - and does give the viewer a good look at Santa Monica at the time - this rates a minor recommendation for those so inclined or creature feature completists. Others can go right on not seeing this one.







Let's Get Out of Here ?

At around 46:40 John Saxon informs everyone the briefing is over.








Eye Candy ?

Marianna Hill is certainly cute - but she is not showcased well here, so no. Sorry Marianna.












Buddha Man Sez:
 
"Blood Beach sinks under the weight of too little monster."










Until next post - just 24 hours or so from now - you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #186!

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Night of the Blood Beast  (American International Pictures, 1958)
I am sure I've seen this - it must have played one of my "Chiller Theater" shows when I was a kid - but I remember nothing about it and would like to see it again. I mean look - you've got Roger and Gene Corman producing a story Gene wrote, and directed by Bernard Kowalski - who helmed the pilot for Mission: Impossible - a man I actually got to briefly meet a few years ago.












The Bonesetter  (Tempe Video, 2004)


I know nothing about this 2003 medical horror flick - the poster is cool, but where are the credits? I do know they managed a sequel in 2005 - so somebody must have liked the first one...








The Skull  (Amicus Productions, 1965)

You can't go wrong with an Amicus movie starring Peter Cushing and Christopher Lee - especially when it's directed by Freddie Francis - who got the blog spotlight shone on him a few days ago!













Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!
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