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Maniacal Movie Poster Monday #101!

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Let's kick off the next 100 of these posts with another theme week - as befits the holiday hovering around...



Year Movie Titles!





2001: A Space Odyssey  (United Artists, 1968)




After Star Wars I wanted to take in every science fiction movie I could get my hands on - and it took me a couple of years and the advent of home video to finally get to see this much lauded Kubrick classic. I managed to rent it  - ON BETA - and I have to admit - at the age of 12 or so - after the flashy fun of Star Wars - I really didn't much care for this one. I've kind of not seen it since - but I'll sit down with again one of these days and form a more adult opinion about it - though I also have to admit there's no guarantee my opinion won't be exactly the same. The body might be older...but the 12 year is still running the show in a lot of respects!









1990: The Bronx Warriors  (United Film Distribution Company, 1982)



I saw this on VHS way back there - then re-familiarized myself with it when I realized I was working with the female lead (and daughter of the director) - Stefania Girolami Goodwin - on Super Mario Bros. I wouldn't mind seeing it again - it's been a while.






That's me and Stefania on the set of the CBS series American Gothic - right from my scrapbook.













Terror in the Year 5000  (American International Pictures, 1958)


I haven't seen this 50's sci fi potboiler - but I'd like to - I know Ward Costello as an older character actor in the 80's - he played an alien possessed Starfleet admiral who famously beat up Klingon Lt. Worf on Star Trek: The Next Generation among many other roles. I've love to see him as a younger leading man type. And I'm alway up to watch something featuring a "hideous she-thing!"








Until next post - sometime next year - you Can Poke Me With A Fork, Cause I Am Outta Here!


Happy New Year!

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Let's kick off 2013 with a couple of new ingredients in our ever-simmering Random Stew!







The Justice League are a bunch of over powered showoffs! I mean, who could compete with this?

(Actually, I guess was a show at Sea World back in the day - and if it's not the perfect synthesis of marine hijinks and superheroics, I'd like to know what is?) (And while we're on the subject - if you're not going to get a blonde Aquaman, and you're going to make what is probably a blonde Superman wear a terrible black wig - why not have them switch costumes?)














In other superhero news - right in the middle of the Joan Crawford horror flick Berserk, look who comes walking though the carnival parade without any sign of a licensing agreement in sight? And guess who snapped a crappy cellphone pic right off the screen when they did?









Thanks for coming by for the start of LGOOH's fourth calendar year of doing pop culture business - stick around - no telling what we might get up to!








And until the next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

The "D" is Silent!

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Django Unchained  (Columbia Pictures, 2012)









Before the Camera:


Jamie Foxx  (TV's In Living Color)
Christoph Walsh  (The Green Hornet)
Leonardo DeCaprio  (TV's Growing Pains)
Kerry Washington  (The Fantastic Four '05)
Walton Goggins  (TV's Justified)
Dennis Christopher  (Fade to Black)
James Remar  (48 Hours)
Don Johnson  (A Boy and His Dog)
and
Samuel L. Jackson  (The Avengers)
as
Stephen


Also, look fast for:

James Remar  (he plays two roles!)
James Russo  (Beverly Hills Cop)
Don Stroud  (Licence to Kill)
Tom Wopat  (TV's The Dukes of Hazzard)
Russ Tamblyn  (Phantom Empire)
Amber Tamblyn  (The Ring)
Bruce Dern  (Silent Running)
M.C. Gainey  (TV's Lost)
Cooper Huckabee  (The Funhouse)
Jonah Hill  (The Watch)
Lee Horsley  (The Sword and the Sorceror)
Michael Bowen  (Jackie Brown)
Robert Carradine  (Number One with a Bullet)
Zoe Bell  (Death Proof)
Ted Neeley  (Jesus Christ Superstar)
Tom Savini  (The Ripper)
Michael Parks  (Ffolkes)
John Jarratt  (Wolf Lake)
Quentin Tarantino  (Grindhouse: Planet Terror)
and
Franco Nero  (the original Django!)




Behind the Camera:


Directed by Quentin Tarantino


Produced by Bob Weinstein, Harvey Weinstein, Reginald Hudlin, and 5 other assorted producers


Written by Quentin Tarantino









Quentin Tarantino’s latest is another high energy blend of several genre films he’s enamored of – in this case spaghetti westerns. Not satisfied with merely doing the cowboy equivalent of Kill Bill, this time QT throws racism and slavery into the mix, and as might be expected, not everyone feels he’s the right filmmaker for the job.



In 1858 Texas, Dr. King Schultz (Waltz), ostensibly a traveling dentist, comes upon a slave drive one night. In trying to question one of the slaves about some men he’s interested in – Dr. Schultz reveals himself to be a man of learning, humor, and manners; and also a very fast hand with a gun. Dr. Schultz takes the slave, a man named Django – with him, and reveals the truth: the traveling dentist wagon is a cover – although he is a licensed dentist, he no longer practices – instead he is now a bounty hunter. His current quest is for the Brittle brothers, a trio of ne’er-do-wells wanted for various violent crimes. Dr. Schultz doesn’t know what the men look like, but he knows that Django does. The men make a deal – if Django helps Schultz find the Brittle brothers, then the doctor will in turn help Django find his wife – who’s been sold off to a plantation owner as punishment for she and Django running off. As the two men pursue this violent avocation – tracking down the Brittles on the plantation of Big Daddy (Johnson) and then on to other violent criminals with prices on their heads – they form a bond – as their travels take them from Texas to Tennessee and back again. Eventually they find out that Django’s wife Broomhilda is now the property of Calvin Candie (DeCaprio) and she now works on his plantation, Candyland. Schultz and Django infiltrate the estate as a couple of slavers, with Django finding this guise particularly repulsive, as a black slaver is the lowest of the low. But he plays the part, and they go to work on Candie - telling him they want to buy a fighting slave for gladiator matches, and during the negotiations the men find themselves under the scrutiny of Candie’s henchmen, and the house servant Stephen (Jackson), who’s definitely not on Django’s side despite their shared race. As their situation goes sour, the men realize it’s going to take some cool moves and hot lead to get out of this one.

What the well dressed bounty hunter wore in 1858...


This is standard issue QT – and that’s a compliment. Opening with a pre-1976 Columbia Pictures logo given some “old print” discoloration, and featuring the theme song from the original 1966 Django over the opening credits, Tarantino gets this movie off to a good start. The first hour moves like lightning – with Waltz proving a hell of an actor in one of the year’s most entertaining performances. He’s matched by Foxx, who takes Django through an interesting arc – from subservience through unease at Schultz’s casual acceptance of him to confidence in his newfound manhunting skills. The rest of the cast is typical for a QT flick – a constant and most welcome stream of familiar faces, though director Tarantino lets actor Tarantino try an Australian accent that’s fairly epic fail, especially sharing scenes with real Australian Jarratt. But it’s all in good fun – with funny lines and ingratiating character moments mixed with incredibly graphic violence and dialogue featuring enough n-bombs to make Simon Legree blush. This of course has caused some consternation across the media – with Spike Lee and Tavis Smiley showing open displeasure with the film and its creator, among others. But the presence of Reginald Hudlin as producer would seem to indicate that there’s no problem here – even if Hudlin’s presence as producer was specifically sought out to indicate there’s no problem here. I don’t think Hudlin would be viewed as a sellout – but I’m also no expert on any of this.

Leo goes DIY with his villainy. By the way,
legend has it that's really his blood on his
hand - apparently he slammed it down on
some broken glass but never broke character.
Stitches were needed after the scene ended.




I will say the movie is very entertaining – with the light tone a most welcome turn of events for a movie with such dark subject matter. At no point is the seriousness of slavery held up to ridicule – the humor comes in from other sources. The film is long – and after that lightning paced first hour there are some signs of bloat in the next hour and forty five minutes – I’m not sure what I would cut – but some kind of trimming – 10-15 minutes even - would probably help. Thankfully the climax gets the movie back on track for a bright finish. It’s also very cool how Tarantino has brought in pieces of music composed for earlier spaghetti westerns throughout – I heard pieces from Two Mules for Sister Sara, They Call Me Trinity, His Name was King, Day of Anger and additional pieces from the original Django soundtrack - in addition to some incongruous music from the 70’s – but I guess it wouldn’t be a QT movie if he didn’t get in some funky somewhere. I give this one a high recommendation – and a theatrical viewing would best serve to highlight the gorgeous 2:35:1 anamorphic cinematography so get out to the theater and check it out!



Oh, and Quentin? Dynamite wasn't invented until 1867.






Let's Get Out of Here ?

At very roughly 1:05:00, Christoph Waltz is thinking a strategic retreat might be in order, and around 2:45:00, Jamie Foxx knows the movie is over.



Eye Candy ?

Despite the usual Western lack of showcase - all those long dresses - two ladies make the list:


Nichole Galicia - as the only woman allowed any glamour in the film - you're in!





Zoe Bell - for being Zoe Bell (and never mind that you have to work hard to spot her in the movie) - you're in!


Welcome to the list, ladies!






Buddha Man's Capsule Review

Buddha Man says "Django Unchained is a QT of a movie!"







Thank you Buddha Man! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 1/5/13!

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Who cares what picture we see?



I do, for Pete's sake - and I think we need to kick off 2013 with a big sprawling

 
Dusk to Dawn Ape-a-Thon!







Pretty startling sci-fi - with a delicious twist ending - which I will not spoil here - but I can't stop the second movie's trailer from doing it...










A pretty cool follow up - it's obvious Charlton Heston wasn't particularly invested in coming back from his performance - but he's not in the movie that much anyway, and I've always liked James Franciscus.












This one is interesting - because it's obvious they're saving money - three apes - (then) modern sets and costumes - but once they get past the comic bits - it gets pretty gripping!



Intermission!







Now back to the movies!





The darkest of the movies (tone, not lighting, although the trailer does look a little dark) and the inspiration for the recent Rise of the Planet of the Apes - another one that takes a medium budget and works it to good effect.












I am a sucker for these movies - so, yes, I like this one too - but the lack of money does lend it a TV movie feel - and its attempts to bring the series full circle end up muddying the water considerably - but regardless - still a cool flick.





As you can see, I love the Planet of the Apes movies - they were a staple of my childhood television viewing - I probably saw them during their network premieres - I have definite memories of Conquest showing in prime time on CBS - and later local channels would have "Go Ape!" weeks where they would show the five movies Mon-Fri either on their 8:00 evening movie or the 11:30 Late Show. After purchasing widescreen VHS copies, then the DVD boxed set - I've recently upgraded the set to Blu-Ray - so we really could take all five for a ride - even tonight - if you care to come over!



Special thanks to Cody at Life Between Frames for his troubleshooting comment below, which helped this post have its pix!




Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #102!

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The Wizard of Mars (American General Pictures, 1965)



I've seen this goofy sci-fi variant on the classic from 1939 - of course I'm speaking of Gone with the Wind.

No, kidding! Of course I actually refer to The Wizard of Oz. If you're only going to see one of them, don't make it this one. But if you have time for both this one is silly fun.















Maximum Overdrive (De Laurentiis Entertainment Group, 1986)


I like this movie - but it's completely indefensible. Still, it's the only movie thus far directed by Stephen King - and it was shot right here in my hometown - what's not to love?












Hell's Island  (Paramount, 1955)



I know nothing about this flick - but I'd watch it, given the chance!










Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

The Saw is Family!

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Texas Chainsaw 3-D  (Lionsgate, 2013)


I like this poster better.









Before the Camera:


Alexandra Daddario  (Hall Pass)
Trey Songz  (Step Up 3-D)
Tania Raymonde  (TV's Lost)
Scott Eastwood  (Gran Torino)
Paul Rae  (Daddy Day Camp)
Thom Barry  (TV's Cold Case)
Shaun Sipos  (Final Destination 2)
Keram Malicki-Sanchez  (Punisher: War Zone)
Richard Riehle  (Office Space)
James McDonald  (Phone Booth)
and
Dan Yeager  (Metal Heads)
as
Leatherface


Also look fast for:

Gunnar Hansen  (The Texas Chain Saw Massacre)
Marilyn Burns  (The Texas Chain Saw Massacre)
John Dugan  (The Texas Chain Saw Massacre)
and
Bill Moseley  (The Texas Chainsaw Massacre 2)







Behind the Camera:


Directed by John Luessenhop


Produced by Avi Lerner, Danny Dimboort, and 7 or 8 other assorted associate, executive, and line producers


Written by Adam Marcus, Debra Sullivan, and Kirsten Elms

Story by Adam Marcus, Debra Sullivan, and Stephen Susco


Based on characters created by Tobe Hooper and Kim Henkel






The seventh (!) film in the increasingly fractured franchise hits the Big Screen with all three dimensions, and I “saw” it over the weekend – heh heh. A bit of backstory – the original came out in 1974 and did very well in its original run and in several theatrical re-releases into the 80’s - which is how I first saw it - a re-release at good ol' Toler Cinema in early 1981 - my mom dropped me off Friday night, and after being knocked out by the movie - I went back Monday night as a ridealong with my brother who was taking his then girlfriend to see Roman Polanski's Tess on the other screen.  Cannon Films acquired the sequel rights in the mid 80’s and they got The Texas Chainsaw Massacre 2 out in 1986. The sequel was also directed by Hooper, who realized there was little chance of topping the horror of the original and instead went for black comedy and over the top absurd humor and satire in addition to the gruesome side of things. A few years after that the third movie pulled a reboot, and then the astonishingly wrongheaded fourth film showed up several years later after spending a long time on the shelf; it namechecked 2 and 3 in dialogue, but really took off from the first film as a direct sequel, and brought in convoluted conspiracy plotting that makes Halloween’s Thorn plot look positively coherent and relevant. The fourth movie effectively put the series down for several years. In 2003, Michael Bay’s bunch got the go ahead for a remake, and it did well enough to spawn its own prequel three years after that.

Now, another seven years down the road, another Chainsaw flick comes along, and it’s in 3-D! This time out the action starts with footage from the first movie upconverted into the third dimension – which was fun. Then the new movie begins moments after the final shot of the original – with the authorities showing up at the Sawyer house due to Sally making it safely to town. New and previously unseen Sawyer family members are all over the house now, armed with shotguns and ready for a fight. The sheriff convinces Drayton (Moseley) to send out “Jed” Sawyer (who we better know as Leatherface, though that appelation is never uttered in this movie), but the arrival of a lynch mob from town led by Burt Hartman (Rae) sends the day south and after a pitched gun battle the Sawyer house is burned to the ground with apparently no survivors. However, one of the mob members finds a mortally wounded young Sawyer woman with a baby girl trying to crawl away from the house. Finishing her off, he takes the baby and hides it from the rest of the mob, giving the child to his wife as they are unable to have children. Years pass (and we’ll have a chat about how many in a moment). Now it is 2012. Heather (Daddario) is a young woman in college prepping a trip to New Orleans with her friends. However, she has been contacted and told that her grandmother has passed on and left her a inheritance. Her world is turned upside down as she realizes the couple she thought were her parents – aren’t. She decides to go to Texas to claim her inheritance, and her friends divert their plans to join her. Once in Texas, Heather meets the family lawyer (Riehl) who gives her the key to her grandmother’s house and some paperwork, including a letter to her from her grandmother, written in the old lady’s final days. He takes her out to the home – a small mansion – but he begs off going in. Heather skips reading the letter in the excitement of exploring the house. A trip to town reveals Hartman is now the town mayor – and just as much of a jackwagon as he was (mumble) years previously. Eventually the group discovers that Heather’s new house holds secrets – secrets standing 6’5’’ and wearing a mask of human skin. Despite the word not being in the title – the massacre isn’t over. Who will survive and what will be left of them?
Life's not fair...




Hearing the announcement of this film’s release, I was indifferent – I love the original movie; quite like the second; think the third is okay; hate the fourth; think the reboot is okay but unnecessary ; and haven’t seen the reboot prequel (though it is in the video vault to be watched eventually.) I assumed this would be the third in the reboot’s story sequence, and that left me…meh. The trailer did nothing to change my mind on that either. However, once I heard they were doing a direct sequel opening in 1974 and ignoring all the other movies – that intrigued me a little. Then, hearing that three of the original actors would be making cameo appearances I got more interested. (Not that having such cameos means any benefit to the movie – Marilyn Burns and John Dugan appear in the fourth movie – and it’s still useless.) Finally, I thought, what the heck – and checked it out.



It does indeed start with footage from the first movie in 1974 – only, it isn’t 1974 any more. After the opening scene, we meet Heather, who appears to be roughly 20 or so years old. There’s no indication from the filmmakers what year it is – and I first thought we were in 1994 – which would make sense, and seemed to be borne out at first by the lack of acknowledgment of cell phones in any way. However, a convenience store stop shows the price of gas as $3.60 a gallon, and then a cemetery trip shows that Heather’s grandmother passed in 2012 - it is modern day, obviously waaaay more than 20 years after 1974. So, it turns out the filmmakers are fudging the date of events in the first movie – which they tease us with throughout the movie. That same trip to the cemetery also reveals gravestones of people who died in the gunfight and fire – and while they show the correct day and month as August 18th - the year is obscured by bushes. Later, an examination of evidence from the Sawyer house fire manages to obscure the year about three times. So, though it is never said – according to this movie the original TCM took place in 1992, or thereabouts, and those kids were just weirdos who liked a retro 70’s look.

Say hello to my lil fren...



Letting the timefudgery slide – I found the movie entertaining. There are some bumpy bits in the story, but it has some great jumps, a sense of dread and menace, and some juicy gore (cut to avoid an NC-17, I’ve heard, but still pretty strong) The performances are good – with Daddario an appealing heroine, and Raymonde plenty sexy as her best friend. The guys are okay – and among the senior cast members both Paul Rae and Thom Barry stand out. Yeager is a pretty good Leatherface – though he’s not as massive as some of the previous versions. I’ve heard he is well over 6 feet tall – but he’s so symmetrically built he doesn’t seem that big. I particularly enjoyed seeing the cameos from the original film – plus one cameo from the first sequel. Gunnar Hansen and John Dugan turn up in the Sawyer home are both in the opening Sawyer house scene – Hansen as mentioned playing a previously unseen Sawyer patriarch, and Dugan back in the makeup as Grandpa (though considering the passing years, probably much less makeup than before!) Marilyn Burns can be glimpsed playing Heather’s grandmother, briefly visible in a short flashback scene. Best of all, however, is that The Cook – wonderfully played by the late great Jim Siedow in the first two TCMs – is here in that opening scene – portrayed by Bill Moseley – who had played Siedow’s son (or nephew - who can tell for sure?) in TCM 2! And topping this Sundae of Awesome – they call The Cook Drayton Sawyer in this movie – which was the dazzling moniker he gained in the second flick – as he was only called The Cook in the original. So that’s a nice tip of the hat to TCM2.

John Dugan watches Bill Moseley defend the Sawyer homestead, despite what Jed did to the door...




Reading reviews of this movie I’ve found the opinion split down the middle – with opposition strong and little gray area. I can understand the people who weren’t satisfied – the last third of this movie shifts a fair amount – and while there’s still a big lug swinging a chainsaw – things are changed. I went along it and found the movie a fun and gruesome ride – and wouldn’t mind seeing another that builds on this – though I have reservations that there are six or seven more needed – which is what has apparently been contracted for (!) The 3-D is nice – not sure if shot native 3-D or upconverted – but if it’s the latter it’s well done. Once again it’s mainly depth, with the saw jutted out into the audience a couple of times – and as such is skippable as far as I’m concerned.



I give this one a recommendation for anyone who doesn’t mind the idea of a branching seventh series entry. If on the other hand you think the very idea is tired, you might want to stick with whichever earlier series entries you have a fondness for. The rest of us can dance with our chainsaws in the early morning light.









Let's Get Out of Here ?

I can't be sure of the time - but as the trio is escaping the estate in the van I'm pretty sure Trey Songz indicates he's quite ready to have the others accompany him in quitting the area.







Eye Candy ?

Hmmmm. YES.

Alexandra Daddario





Alexandra Daddario and Tania Raymonde







Tania Raymonde

Welcome to list, ladies!






Buddha Man's Capsule Review


Buddha Man says "Texas Chainsaw 3-D is a movie with some
good buzz around it…"






Thank you my golden friend! Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Pieces of Talent - Kickstarter!

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Hey gang! Remember that little independent horror movie I saw this past Spring?


Pieces of Talent







Well - they are trying to raise $8000 to complete the final sound mix and some other sundry bits and pieces of post production. I thought I would toss up a link to their Kickstarter campaign in case anyone coming by here might want to contribute to this project.




 
 
 
 
If you've seen the movie and liked it and have a couple of bucks to spare - you could help get the movie out for the world to see. If you haven't seen it and want to - you could help make that possible too.


Support Independent Horror!



If you head over - tell 'em Craig sent you!



Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 1/12/13!

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Who cares what picture we see?


I do believe that John Carradine would, so let's pick this one:




 
 
 





I remember reading a lot about this movie in Famous Monsters magazine back in the late 70's - I think Forry might have had a little crush on Nai Bonet - but I never had a chance to see the movie - not sure it played theaters in Southern Illinois; it never aired on Showtime for as long as I had it; I never found a copy to rent on VHS.



So, as of this posting - I still haven't seen it - but I do have a copy freshly arrived in the video vault! It's from that magical year of 1979 - it's a disco vampire romantic comedy - and it has John Carradine playing Dracula for the last time, I do believe - something he'd been doing off and on for thirty-five years at this point!



So we could be checking this one out as soon as this very evening - if you make the trek over to my place, that is!


Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #103!

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Love Me Deadly  (Cinema National, 1973)




This is one I've never seen - actually had my hands on it in a furniture store (!) in the 80's that started renting some videos - but I didn't end up seeing it. It's apparently really about everything that poster hints at - and I've always wondered how graphic it actually gets...









House of the Damned  (20th Century Fox, 1963)




No idea about this one - but what the heck - it sounds cool!










Tales That Witness Madness  (Paramount, 1973)




Our second trip to 1973 this round gets us one of the latter day anthology flicks that Amicus was doing so well in those days. I've not seen it - but funny thing - I thought I was going to get to - at that same furniture store I mentioned two posters back? Well, I saw Tales...Madness on a video box and scooped it up to rent - finding myself completely disappointed when I read it closer and it was instead Tales of Ordinary Madness - the Charles Bukowski drama starring Ben Gazarra - not what I was looking for in my horror filled youth - but I'd watch either of those movies now!








Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here.


Portrait of the Artist as The King of Pop Cinema!

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Welcome back to the library lair of that most literary of Batman villains for a little book review business...
 
 



Bookworm's Book Club













I first read this book back in 2001 or 2002 – when it came out in paperback. I was then working in a bookstore, and I made a habit of grabbing lunch from the food court and dashing back to the store to read a book in the back of the store. I read Ms. Gray’s book across a few of those lunches and thoroughly enjoyed it – but I didn’t end up purchasing it as money was very tight in those days. (Booksellers do not make crazy crazy money, believe it or not.)


Beverly Gray




In the last few months I became an online acquaintance of Beverly Gray after discovering her ultra cool blog Beverly in Movieland while doing research on something Corman related for my blog. She is wonderful to know, teeming with film lore and personal experiences in the trenches working for Roger Corman’s various companies across periods from the 70’s to the 90’s.



In the late 90’s, having been out of his employ for four or five years, Ms. Gray went to work on a biography of Roger Corman. Catching wind of it, he summoned her to a meeting. In that meeting he advised he would only participate in the book’s writing if the end result would cast him in a mostly favorable light. Ms. Gray advised she was going to follow advice he’d once given her and rely on her own judgment. This she did, and  then proceeded with the book – ending up with a fair and balanced look at Roger Corman – his strengths, his idiosyncracies; his foibles, and even his feet of clay.


Roger Corman demonstrates the proper method of machine gun manhandling on the set of Bloody Mama (1970).




Meticulous research and interviews with dozens of people who worked for Corman across his decades in the film business make up the bulk of the book – and it’s a pretty fascinating story for anyone remotely interested in independent filmmaking or the production of what are now thought of as “B movies” – an appellation that Roger Corman would be quick to scoff at in most cases – as he still believes pretty much the only true B films are those that played as the second feature to a larger budgeted A picture in movie theaters of the 30’s and 40’s. I think he’s softened on this a bit in more recent years as the meaning of the phrase has shifted through use (or misuse). The resulting biography came out in 2000, and sold well, landing high on the Los Angeles Times bestseller list the first week of release. The paperback edition sold well too.


Now, a dozen years later, Ms. Gray has gone back and reworked the original book into an expanded ebook – with new information and interviews conducted as recently as October 2012 figuring into the expanded edition.



Roger Corman on the set of his most recent directorial effort - Frankenstein Unbound - in 1990.





Ms. Gray’s writing is terrific – taking us from Corman’s birth through his reception of an honorary Oscar in 2009 and the recent Syuh-Fyuh channel movies he’s been cranking out the last couple of years. There was obviously a boatload of work that went into the research and interviews – and what’s really cool is that nearly every quotation is on the record and attributed – with only a half dozen or dozen quotes (out of hundreds) that are assigned to “a New Concorde staffer” or “a veteran of the New World days.” This alone presents a solid picture of the book’s balance in its representation of Mr. Corman’s life and career. If the book was a hatchet job – there would be far fewer names quoted in the book and much more anonymous attribution.




Unfortunately, Mr. Corman did not agree with this assessment – and after Ms. Gray’s refusal to let him edit the manuscript of anything he felt to be negative or derogatory – he apparently spread the word that the book was to be a hatchet job, though it seems to have prevented few of his former employees from sitting down with Ms. Gray. He also wrote off whatever friendship they had at that point – though Ms. Gray still expresses warmth and respect for her former boss – he does not share that warmth. She indicates that their few happenstance meetings since the book’s publication have been cordial – but it’s also true that two different interviews with Ms. Gray about her former boss - one for a Corman documentary and one for a DVD special feature - have been cut from the finished projects at Mr. Corman’s – or his office’s - insistence.

Roger Corman - the Elder Statesman of Exploitation Cinema.




If anyone were to ask me what to read to know more about Roger Corman – I would absolutely recommend this book – and I’d offer the suggestion (as does Ms. Gray) to pair it up with Roger Corman’s own memoir – How I Made a Hundred Movies in Hollywood and Never Lost a Dime – as the two books together do offer the most indepth portrait of an intensely private man that you’re ever likely to get. (I would also offer Ms. Gray’s advice to enjoy Mr. Corman’s book with a grain of salt, as his own recollections of his past actions might be skewed a bit by his ego and memory – which can get a bit fuzzy at times according to others present at the time.)


Currently the book is only offered in Kindle format – Ms. Gray has indicated she is working on a version for the Nook but it’s a ways off. If you don’t have a Kindle – there are computer and smartphone app versions that would still allow you to purchase and read this terrific biography – so what are you waiting for?


And if you'd like to check out my interview with Beverly Gray - where she tells some fascinating stories about her life and work - you can check it out here.


Oh, how about a link to the book on Amazon? (Duh!)








My highest recommendation for this one, kids - check this one out!


Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

The Video Vault of Mora Tau 1/17/13!

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Here's a wild look back at 70's TV - and a promo for ABC's weekday afternoon and Saturday lineups - that will either bring back memories, or make you glad you missed that year in television!











From around the same time - the US government licensed the Batman TV show for a public service announcement about equal pay for women - Yvonne Craig and Burt Ward reprise their roles as Batgirl and Robin respectively, but Adam West - at the time desperate to escape the cowl - didn't come back. Check out the clip and see if you can figure out who's playing Batman here - and no fair cheating! Crime doesn't pay - and in this case neither does Googling!









Who remembers the TV spinoff of the classic flick Animal House? Well, don't worry if you don't - here's a little promo that shows you what America got to see for a very few weeks in 1979...













Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 1/19/13!

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Who cares what picture we see?


Why wouldn't Inger Stevens? I can't think of a reason! So here's the pick:










After achieving stardom making spaghetti westerns with Sergio Leone, Clint Eastwood came home to the good ol' Us of A to making a domestic version of those cowboy pasta flicks. It's a great cast - and Eastwood's always fun in Western duds.



This just jumped into the video vault on Blu-Ray - so we should be viewing a pristine hi-def copy - you know - if you came over to watch this with me this evening...


Until next post - where we'll be joining up with a little celebration called the My Favorite Martian Blogfest - you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #104!

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Let's do something a little different in this regular department by throwing in with the:


My Favorite Martian Bloghop!








Our blog buddies Nigel and Maurice over at The Geek Twins are among the co-hosts for this blog event - which is all about spotlighting the aliens in pop culture that we love!



Well, since it happens to fall on Monday - our regular department spotlighting three movie posters - I see no reason to break tradition - and to keep it nice and tidy - we will indeed spotlight some of this blog's favorite Martians!






War of the Worlds  (Paramount, 1953)




Quite simply, a classic. I have loved this movie since first seeing it on KPLR Channel 11 many moons ago. The effects, the design of the Martians and their flying ships - extraordinary!












Mars Attacks!  (Warner Bros., 1996)




A very silly and fun movie - not the first flick to be based on a bubblegum card series - that honor belongs to 1987's The Garbage Pail Kids Movie. But Mars Attacks takes a stellar cast and puts it through some goofy paces. I actually encountered several of the main actors heads from this movie while working on another movie - which I'll reveal in the Teenage Production Assistant post about that movie!










The Day Mars Invaded Earth  (20th Century Fox, 1963)



I think I saw this one on one of my creature feature Friday or Saturday shows way back when  - but I have no real memory of it - so I would like to check this one out again!










Thanks very much to Maurice and Nigel for featuring this bloghop on their blog - bringing it to my attention - and thanks to you for coming by to see the results! Come back often, and comment whenever the mood strikes!


Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Celebrity Interview: Eddie Deezen!

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Eddie Deezen jumped onto my radar pretty early in his career - appearing as Eugene in the film Grease. Playing a perfect nerd, Mr. Deezen popped up in scads of movies over the next couple of decades, always bringing something hilarious to the table. In 1991 he voiced a character in the animated feature Rock-A-Doodle and opened up a whole new career as a voiceover actor in dozens of animated series and some video games, most famously as Mandark in Dexter's Laboratory on Cartoon Network and in the film The Polar Express as Know-It-All.

I became Mr. Deezen's acquaintance through mutual friends online, and he agreed to an interview. Thankfully it was not conducted at the top of a tall Ferris Wheel. Here we go:






Craig Edwards:When and where did the world gain an Eddie Deezen?
 
Eddie Deezen: I WAS BORN ON MARCH 6, 1957 AT 8:47 P.M. IN CUMBERLAND, MARYLAND.



Midnight Madness (1980)




CE:What are your earliest pop culture memories?
 
ED: GOOD QUESTION. I REMEMBER TALKING ABOUT THE BEATLES WITH MY MOM AND FAMILY WHEN THEY CAME TO AMERICA. I WATCHED THEM ON "THE ED SULLIVAN SHOW" THAT GREAT NIGHT IN FEBRUARY OF '64. I REMEMBER GOING TO WATCH "A HARD DAY'S NIGHT" AND "HELP!" IN THE THEATERS AND THERE WAS JUST CONSTANT SCREAMING FROM BEGINNING TO END OF THE MOVIES- GIRLS SCREAMING AND YOU COULDN'T HEAR THE DIALOGUE- AND THIS WAS OUT IN CUMBERLAND, MD. - HARDLY A BIG MEDIA CITY OR SOCIAL MECCA.









CE:When did you know you wanted to work in the entertainment industry?
 
ED: I THINK AFTER DISCOVERING DEAN MARTIN AND JERRY LEWIS MOVIES IN THE SUMMER OF '73. I WAS KIND OF A LOST SOUL IN HIGH SCHOOL, DRIFTING THROUGH, NOT MANY FRIENDS, ACNE ON MY FACE AND I WATCHED THIS GUY, THE YOUNG JERRY LEWIS, AND HE DEFINITELY INSPIRED ME TO WANT TO DO SOMETHING WITH MY LIFE. WITHOUT JERRY, I THINK I'D HAVE JUST DIED OUT. I THINK IT'S SAFE TO SAY JERRY LEWIS DID SAVE MY LIFE- PHYSICALLY AND SPIRITUALLY.



Beverly Hills Vamp (1989)




CE:How did you go about breaking in?
 
ED: I BROKE IN AS A STAND-UP COMIC AT THE COMEDY STORE- JANUARY 26, 1976. I DID THREE GIGS AT THE COMEDY STORE, BUT STAND-UP COMEDY WASN'T FOR ME. MY TV DEBUT WAS ON "THE GONG SHOW" WITH CHUCK BARRIS ON NOVEMBER 29, 1976.



I wonder if Eddie was featured on any of the cards?





CE:What was your act on The Gong Show? Do you remember who your judges were?
 
 
ED: I DID A STAND-UP COMEDY ACT. THE THREE JUDGES WERE JAYE P. MORGAN, PAUL WILLIAMS AND JAMIE FARR. PAUL W. GONGED ME.



The Deezen Gang - Midnight Madness




CE:What was the first project you worked on?
 
 
ED: I DID SOME LOW-BUDGET COMMERCIAL, BUT "GREASE" WAS ACTUALLY MY FIRST REAL PAYING JOB. SO, I STARTED AT THE TOP. I WAS VERY LUCKY.









CE:You're well known as a Beatles fan. How did you discover them?
 
 
ED: I GOT REALLY HOOKED BY READING BEATLE BOOKS AFTER I FIRST CAME TO L.A. IN 1975. I WAS EXTREMELY LONESOME, SO I READ BOOKS ALL THE TIME, AS I HAD NO FRIENDS. AND I READ "THE BEATLES" BY HUNTER DAVIES, THEIR FIRST BOOK. AND I JUST GOT REALLY HOOKED ONTHEM. MY FIRST BEATLES ALBUM WAS "HELP!" IN HIGH SCHOOL, I HAD THAT. I HAD THE RECORD "AIN'T SHE SWEET" AS A KID AND MY BROTHER BROKE IT AND I WAS FURIOUS AND I THINK I CRIED, SO I DID ADMIRE THEM AS A KID. I ALSO REMEMBER LISTENING TO "PLEASE MR. POSTMAN" AS A KID, SO I GUESS I ALWAYS HAD SOME AFFINITY FOR THEM. I LIKED JOHN BEST AS A KID.





Zapped! (1982)





CE:Tell us something about one of the Beatles that we don't know.
 
 
ED: JOHN LENNON USED TO SLEEP IN A COFFIN, AS A TEENAGER.









CE:What was it like as a Beatles fan to work on a movie like I Wanna Hold Your Hand?
 
 
ED: I BASICALLY WAS PLAYING MYSELF. "RINGO" KLAUS IS MY FAVORITE CHARACTER I'VE EVER PLAYED, IT WAS JUST ME BEING ME.



Ringo Klaus in action!






CE:Did that similarity lead to you contributing any lines or bits of business, or was it all already on the page?
 
ED: THAT WAS MY JOKE, COP: 'NOW I'VE GOT YOU, YOU LITTLE S**T!" ME: "WHO YOU CALLING "LITTLE"?"




My favorite scene in 1941 - Eddie's cruel side...





CE:What are some of your favorite projects you've worked on?
ED: "GREASE" WAS LIKE A TWO-MONTH PARTY, THE GREATEST PARTY YOU'VE EVER BEEN TO, AND IT JUST LASTED FOR TWO MONTHS. I LOVED "POLAR EXPRESS". BOB ZEMECKIS IS MY ALL-TIME FAVORITE FILM DIRECTOR. TOM HANKS, THE NICEST GUY YOU COULD EVER IMAGINE. A FUNNY, GREAT GUY. JOHN TRAVOLTA MADE "GREASE" SPECIAL, HIS KINDNESS, FRIENDLINESS. ALL THE "GREASE" CAST WAS AWESOME. I LOVED "I WANNA HOLD YOUR HAND", BOB ZEMECKIS WAS THE BEST AS A DIRECTOR. I LOVED "WARGAMES" BECAUSE I GOT TO USE CUE CARDS FORB THE FIRST TIME. "MOB BOSS" I GOT TO MAKE OUT WITH MORGAN FAIRCHILD. MORGAN WAS A DOLL, A GREAT COMEDIENNE, FUN TO WORK WITH. ALL THE FILMS WERE SPECIAL IN SOME WAY. AS A CARTOON, I ENJOYED "DEXTER'S LABORATORY" THE MOST.







CE:Are there any productions you appeared in that you recommend people stay away from?
 
 
ED: HMMMMM..."GREASE 2" PERHAPS. MAXWELL WAS A WONDERFUL GUY, MICHELLE WAS VERY NICE, BUT AS A MOVIE, UH, WELL, EVERYONE HAS THEIR OWN TASTES, YOU KNOW.
That advice appears to have worked for me - I've seen Grease dozens of times - but I've still never seen Grease 2!








CE:I'm going to mention a few of my favorite movies you appeared in. Will you tell us a little something about each?
 
CE:Grease. 


ED: JOHN TRAVOLTA, THE KINDEST ACTOR EVER. JEFF CONAWAY TRIED TO GET ME LAID WITH A HOOKER. I WAS A SCARED 20-YEAR-OLD KID. IT NEVER HAPPENED. RANDAL KLEISER, A FINE DIRECTOR, A NICE MAN. RIDING AROUND IN A CAR WE HIJACKED WITH OLIVIA NEWTON-JOHN. JACK NICHOLSON YELLING AT US TO QUIET DOWN FROM A NEARBY SET. HE CAME ON OUR SET AND I RAN UP AND SHOOK HIS HAND.
 
 


 
 
CE:Laserblast.

ED: I HAD A HUGE CRUSH ON A GIRL IN THE CREW NAMED BETTY GOLDBERG. I WONDER WHAT EVER HAPPENED TO HER???? IT IS THE ONLY FILM I DID IN WHICH MY CHARACTER DIES. THE ONLY ONE.
 
 
I did a little research on Betty Goldberg. (Not sure I can really call it research. I looked her up on the IMDB.) If all of her credits are the same person - she directed a couple of episodes of The White Shadow before Laserblast - for which she was the script supervisor. She was script supervisor on low budget movies like The Incredible Melting Man and bigger shows like Beverly Hills Cop from the 70's throughout the 80's. Since then she has taken to writing - with some TV movie credits up to 2002. Not sure what's she's been up to the last ten years or so - but there's some kind of update!
 
But I digress.







CE:1941.



ED: BEING DIRECTED BY STEVEN SPIELBERG, A GREAT HONOR. JOHN BELUSHI, A SUPER NICE GUY. I LOVED HIM. DAN AYKROYD, A REALLY NICE GUY. I LOVED JOHN CANDY SO MUCH. NICEST GUY EVER!!!







CE:Midnight Madness.



ED: WE HAD TWO DIRECTORS ON THAT ONE, WHICH WAS UNUSUAL. A PRETTY FUNNY FILM.








CE:Zapped!



ED: SCOTT BAIO WAS A VERY NICE GUY.







CE:Wargames.



ED: I RODE TO THE SET (WE WERE DRIVEN BY A DRIVER) WITH MATTHEW BRODERICK. HE WAS A GREAT GUY. I KEPT FORGETTING MY LINES AND THE DIRECTOR HAD ME READ THEM FROM CUE CARDS. THAT WAS THE FIRST TIME I EVER USED "IDIOT CARDS". THAT IS A VERY GOOD FILM. MY DIRECTOR, MARTY BREST, GOT FIRED, BUT THEY KEPT MY BIT IN, LUCKILY. MATTHEW'S FIRST FILM.







CE:Surf II.



ED: A FUN SHOOT. LOTS OF CUTE GIRLS IN BIKINIS. ONE OF MY FEW "LEAD ROLES". A FAIRLY FUNNY FILM. RON PALILLO, A VERY NICE GUY. I GOT TO BE PUT IN A STRAIGHT JACKET!!!







CE:Mob Boss.



ED: A WONDERFUL DIRECTOR, FRED OLEN RAY. I LOVE FRED. SO MUCH FUN TO SHOOT. I HAD A BALL. MORGAN FAIRCHILD, A LOVELY LADY.







CE:Beverly Hills Vamp.



ED: FRED OLEN RAY AGAIN. A FUN SHOOT. GREAT TIMES.







CE:Three words: EddieDeezen.com. Beatles Quiz. Please give us 34 words about that.


ED: YOU CAN ENTER MY BEATLES QUIZ AT eddiedeezen.com I PUT IT UP ON MY FACEBOOK SITE TOO. THE PRIZE IS $100.00, PLUS A $25.00 FREE MOVIE PASS TO REGAL CINEMAS, PLUS AN AUTOGRAPHED PHOTO.







CE:What's more fun for you? Live action acting, or voiceover acting?


ED: BOTH ARE FUN, IT REALLY DEPENDS ON WHO YOU ARE WITH AND HOW GOOD THE SCRIPT IS. I HAVE TROUBLE MEMORIZING LINES, SO VOICEOVERS ARE USUALLY EASIER ON ME.
Know-It-All, Eddie's character from The Polar Express


CE:What's the perfect Eddie Deezen breakfast?


ED: TOMATO JUICE, LOTS OF EXTRA CRISPY BACON, EGGS OVER EASY, TOAST, DECAFF WITH CREAM AND SUGAR, ICE WATER (BAD FOR MY HIGH CHOLESTEROL, BUT I LOVE THAT BACON!!!)







CE:Friday the 13ths. Can't believe they made that many, or why did they stop?


ED: I HAVE NO IDEA, NOT PART OF MY WORLD OR MY UNIVERSE. BUT I KNOW WE ALL HAVE OUR OWN SUBJECTIVE TASTES IN MOVIES (AND EVERYTHING ELSE IN LIFE.)
Laserblast got laser blasted by the Mystery Science Theater 3000 crew...




CE:What advice would you give someone who wants to work in the entertainment industry?
ED: IT IS THE VERY TOUGHEST, HARDEST FIELD IN THE WORLD, JUST BECAUSE OF SUPPLY AND DEMAND. THERE ARE MILLIONS OF ACTORS AND ACTRESSES, SO MUCH TALENT, BUT ONLY SO MANY ROLES, SO MANY PROJECTS. BUT IF YOUR HEART IS REALLY IN IT, I SAY, GO FOR IT. GIVE IT YOUR BEST TRY. BE TRUE TO YOUR DREAMS, YOUR HOPES. YOU OWE IT TO YOURSELF. AND ALSO, YOU WILL MEET THE COOLEST, MOST WONDERFUL PEOPLE IN THE WORLD IN SHOW BUSINESS. CREATIVE, GOOD-HEARTED, WONDERFUL PEOPLE. A FEW GNARLY ONES, A FEW NASTY ONES, BUT MOSTLY GREAT FOLKS.
 
 
 
 
CE:Thanks again, Mr. Deezen! I've been a fan of yours since renting Laserblast - on BETA! I'm very excited for this interview post!

ED: I WISH YOU A GREAT AND SUCCESSFUL NEW YEAR IN 2013, CRAIG. WISHING YOU ALL THE BEST!
 
 
 

And to you as well, Mr. Deezen!




Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 1/26/13!

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Who cares what picture we see?



Dick Miller just has to! So let's pick:












This blend of traditional animation and live action ala Who Framed Roger Rabbit? bombed miserably at the box office - and consequently squashed any further theatrical activity from these guys - but it's really a fun flick, thanks to a game cast and director Joe Dante - who manages to stuff about 37,000 cool genre actors and in-jokes in amongst the hijinx.



I think it's well worth a watch, and it resides in the video vault on a nice DVD we could be watching any time - even tonight - you know - if you wanted to come over and watch it!



Until next post you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #105!

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Raw Meat  (American International Pictures, 1973)

I finally just recently saw this crazy British flick when TCM aired it in the wee hours Friday night at a part of their excellent "TCM Underground" series. The movie is summed up rather poorly at the top of the poster. The first sentence is okay - but let's amend the second to "Neither men nor women, they are less than animals...don't wander off in the London underground...don't venture down by yourself in the dead of night...or you may find that you're just raw meat for the tribe!"









Three Ninjas: High Noon at Mega Mountain  (Columbia TriStar Pictures, 1998)




I haven't seen this fourth movie in the series - I saw the first one and was not much impressed. However, I might actually sit down with this one one of these days. Here's why: 1.) Look at the hair they put on Hulk Hogan. 2.) It's Victor Wong's last film. and 3.) Jim Varney - HELLO!















Don't Open the Window  (Hallmark Releasing, 1975)



This one was made in 1974 and known at times as Let Sleeping Corpses Lie and The Living Dead at Manchester Morgue. It was the latter title my British pen pal used when he highly recommended this zombie movie to me decades ago. Sadly, I've lost touch with that pen pal - and I've still never seen this movie! Damn it!






Thanks to Maynard over at the Horror Movie Diary for correcting the above, which I'd originally listed as Let Sleeping Dogs Lie, and while it may have made for an interesting horror movie (zombie dogs?) the real title is now stitched in to place!



Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

He Be Back!

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The Last Stand  (Lionsgate, 2013)











Before the Camera:


Arnold Schwarzenegger  (Raw Deal)
Forest Whitaker  (TAG - The Assassination Game)
Eduardo Noriega  (Vantage Point)
Jaimie Alexander  (Thor)
Peter Stormare  (Fargo)
Luis Guzman  (Boogie Nights)
Zach Gilford  (Rise: Blood Hunter)
Sonny Landham  (Predator)
Harry Dean Stanton  (Alien)
Rodrigo Santoro  (Charlie's Angels: Full Throttle)
Christiana Leucas  (Hollywood Whores)
and
Johnny Knoxville  (Grand Theft Parsons)
as
Lewis Dinkum








Behind the Camera:


Directed by Jee-Woon Kim


Produced by Lorenzo di Bonaventura, Edward Fee, Miky Lee, Michael Paseornek, Hernany Perla, Linda Pianigiani, John Sacchi, and Guy Riedel    

 
Written by Andrew Knauer


After serving as California’s governor for seven or eight years, we finally get Arnold Schwarzenegger back where he belongs – back on the Big Screen kicking tush as an aging but still formidable Action Star! In this new flick Ah-nuld plays Ray Owens, a small town sheriff in the Southwest town of Somerton. His accent is never mentioned, but there is one throwaway line acknowledging his immigrant status. Of course that doesn’t explain that whitebread American moniker he’s carrying, but let’s not get bogged down.

Ray and his deputies, including Alexander, Gilford, and Guzman keep the peace in the kind of Southwestern town where the only gunshots are either blanks starting the local track meet, or town eccentric Dinkum (Knoxville in a smaller role than the trailers imply) shooting off something from his gun collection at a side of beef. Then one morning Ray gets suspicious of trucker Peter Stormare and his pal at the local diner – because, well, he’s Peter Stormare, and as the saying goes: Peter Stormare always plays a good guy said no one ever. As Ray and his crew conduct a somewhat laconic investigation, trouble begins brewing on two fronts: in Las Vegas, Columbian drug lord Cortez (Noriega) escapes the custody of FBI agent Whitaker and is soon flying across the desert towards Mexico in an incredibly fast stolen prototype car; and Stormare and his crew take over the farm of Somerton farmer Stanton, working on something at the edge of his property, which is on the Mexican border. Eventually Schwarzenegger realizes he’s in a 21st century variation on Rio Bravo– in that classic John Wayne flick the Duke and his deputies have bad guy Claude Akins in jail and have to hold off the baddie’s brothers, who come to town to break their baby brother out. Here, the bad guy is going to be coming through his town on his way South of the Border, and Sheriff Ray only has the help of his deputies to stop the incredibly well armed Cortez cartel confederates from tearing Somerton a new one.



"Dem dat school lonch lady - I tohd her no mystery meat! Run for da school bos!"




I’ve always liked Schwarzenegger onscreen – with just about all of his movies coming across the entertainment finish line for me. There’s nothing earth shattering or ground breaking here – what we have is a good old fashioned meat and potatoes action flick, with guns a blazin’; fists a flyin’; and stuff blowin’ up real good. Arnold looks pretty danged good for 65, though the years do take a toll on his movement, as one early scene where he visits the town diner (where he gets suspicious of Stormare, actually) Arnold moves stiffly, as though his knees are working against him. Otherwise he gets around well, and any stunt doubling is well handled, not standing out as glaringly obvious.
Guzman, Knoxville, Schwazenegger and Alexander.

Stormare and Noriega serve as the two fronts of the bad guy camp. Stormare overacts a bit, as he always does; Noriega is okay as the main villain – his youthful arrogance serving fairly well against the seasoned Schwarzenegger. I might have enjoyed a different actor in that role more, though. It might have been cool to have seen Danny Trejo playing the character – though he might be sticking to his new found good guy status more now. Guzman is funny playing his standard issue Grumbly Gus; and Knoxville goes all out as the gun toting goofball, and he even gets in a couple of bits where it seems he’s bringing his Jackass talents for risking life and limb to bear putting himself through some painful paces. Director Jee-Woon Kim acquits himself pretty well, keeping things mostly moving – though there are a couple of slow spots in the middle of the movie. Basically, this one is what it is. Either you’re interested in seeing an 80’s icon back in the action saddle 20+ years later, or you aren’t – there’s not really any middle ground on this one. If you like the idea of hearing some tough guy talk in that trademark Austrian accent – I definitely give this a recommendation. If you prefer your action heroes a little less weathered you might want to hang on for the next action flick to stop at the station.





Let's Get Out of Here ?


Rodrigo Santoro says it very roughly about an hour into the movie - apparently no longer wanting to be near the school bus.







Eye Candy ?


Jaimie Alexander is already on the list - which is good as this film wouldn't have gotten her there.

but we will add one other this time out:




Hello Christine Leucas!






Buddha Man's Capsule Review

Buddha Man says: "The Last Stand is one of the finest action
movies starring a former California governor I've ever seen!"








Thank you sir. And until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Seismology DOES matter!

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Let's duck back into the library lair of that famed Batman villain and literary scalawag...





Bookworm's Book Club!












Author Terrill Lee Lankford’s third novel is a moody mystery set in an earthquake plagued Los Angeles in the mid 1990’s. The earthquake opens the novel, tearing the city a new one in a bare few moments. Development executive and screenwriter Mark Hayes comes through the quake intact, but over the next several days, as aftershocks rumble through the city, Hayes finds his entire existence edging towards a precipice as his life gets complicated by several disparate but interconnected characters, including his neighbor (ex-screenwriter and reformed drunk); his roommate; his work partner; his jackwagon of a boss; and the boss’s girlfriend – a young lovely rumored to be passed around the boss’s circle of film exec friends like a cheap bottle of wine at a high school party. Eventually one of them turns up dead – murdered - and somebody’s responsible. Mark finds himself under police scrutiny, and while he didn’t do the deed – he does have a couple of less-than-savory irons in the fire, so he reluctantly turns amateur sleuth to figure out whodunit.



Lankford is a Hollywood denizen and has been for many moons, and with his insider knowledge of the city, and armed with the hindsight of a story set in 1994 but written ten years later – he turns out a hell of a story. He wrote or contributed to several movies I enjoyed in the 80’s and 90’s, and he brings the same talents to the prose of this novel. Blending some bits of his own screenwriting career into the mix, along with some “guess who/don’t sue” pastiches of some real movie people, Lankford brings the city and its characters to life in a vibrant way. The murder and the mystery are at the center of the plot, but the characters and the insider’s view of the film industry carry it along, ending up a very satisfactory read for those who enjoy such things. So let’s give this one a definite recommendation, and now we can go ahead and get the movie version cast…for Mark, I envision an actor like…





Until next we meet, you Can Poke Me With A Fork, Cause I Am Outta Here!

Saturday Night at the Movies 2/2/13!

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Who cares what picture we see?



If Chris Elliot does, he's hiding it well. And since it is indeed the day in question today, I'm picking this one on his behalf:













I wouldn't normally have gone with comedies two weeks in a row - but it is February 2nd - so what other choice could we have?


I think this is a very funny high concept flick - and we could be watching it streaming live from Netflix - and let the ol' Blu-Ray/VHS combo player take the night off - even tonight, the most appropriate time - if you wanted to come by!







Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

Maniacal Movie Poster Monday #106!

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Homicidal  (Columbia Pictures, 1961)




William Castle's "homage" to Alfred Hitchcock's Psycho - but nonetheless a pretty cool knock off that I won't spoil here. The "Fright Break" gimmick is a pretty cost conscious one for Castle - probably the cheapest one he ever pulled off!







Hero and the Terror  (Cannon International, 1988)



Another of the 125 movies I saw during those sixty golden days I spent in Florida in 1988. It's one of those handful of Chuck Norris movies that edge him close to horror movie territory - with Our Hero pitted against a hulking homicidal maniac (Jack O'Halloran). Any horror fans reading this who normally skip Chuck's movies - might want to check this one out...










Rocket Attack, U.S.A.  (Joseph Brenner Associates, 1961)




I know pretty much nothing about this one - but man I love this poster!








Until next post, you Can Poke Me With A Fork, Cause I Am Outta Here!

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